Access Winnipeg

NOLA Night - Dirty Catfish Brass Band (sponsored by Torque Brewing)
2022-09-09 20:30 - 23:30 (America/Winnipeg) | Blue Note Park, 220 Main St, Winnipeg, MB, Canada
World-class 8-piece brass band playing the music of New Orleans in a funky downtown honky-tonk. What more do you need to know?

The Dirty Catfish Brass Band bring New Orleans Night to Blue Note Park! 8:30pm show!

Winnipeg Blue Bombers vs Saskatchewan Roughriders
2022-09-10 16:00 - 19:00 | Investors Group Field, Winnipeg, Canada
Winnipeg Blue Bombers vs Saskatchewan Roughriders
🏒🔥 Rumor has it that the 2022-23 NHL schedule is almost here. Add your team to your calendar to never miss a game: https://bit.ly/3yaTo83
Find out how to remove this schedule: stza.co/$delete?trk=NlcZ
👍 or 👎 this schedule? Review it: stza.co/$review?trk=NlcZ

MONUMENTS
2022-09-12 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Park Theatre with Ninjacat Productions Presents

Monuments
Monday, September 12th, 2022
Tickets $25 adv

Hot Water Music
2022-09-14 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
F7 Presents

Hot Water Music

With Screaming at Traffic & Dinner Club

September 14, 2022

Door Time: 7:00 PM

Show Time: 8:00 PM

18+ / NO MINORS

8 Max Ticket Limit

Concert for Eviction Prevention
2022-09-14 20:00 - 23:00 | West End Cultural Centre, 586 Ellice Ave, Winnipeg, MB, R3B1Z8, Canada
Concert for Eviction Prevention – Presented by RAY (Resource Assistance for Youth, Inc.) – Wednesday, September 14, 2022 at 8:00pm

The West End Cultural Centre will continue to require that patrons wear facemasks and show proof of vaccination for all events in the venue. We will continue to evaluate this policy as circumstances evolve.
—–
Concert for Eviction Prevention
featuring – Cozymannos, Dominique Hodder, Greg MacPherson, Cassidy Mann, Troy Taylor, + more!!

So Long, Smoke!
2022-09-15 20:30 - 2022-09-16 00:30 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Come say good-bye to Flamenco Sketch at his last show before his move to Toronto!

Flamenco Sketch’s Farewell Show
September 15th at The Park Theatre (698 Osborne St.)
Doors 8:30/Performances 9:30
20$
18+
Flamenco Sketch’s last show in Winnipeg for a while as he takes his act on the road to Toronto. Come close out the summer with a bang as we shut it down one more time!
With Performances by:
Flamenco Sketch
Sandman
Vital
Travist
and DJ il.ry

JP Hoe Album Release Show for "Botanicals"
2022-09-16 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
the Park Presents

JP Hoe
Sept 16th, 2021
Doors 7 pm
Show 8 pm$30

WALL-TO-WALL MURAL AND CULTURE FESTIVAL PRESENTS THE LIVE MIXTAPE 2022
2022-09-16 20:00 - 23:00 | West End Cultural Centre, 586 Ellice Ave, Winnipeg, MB, R3B1Z8, Canada
The Live Mixtape is a combination mentorship, performance and process project. It’s about combining elements and artists that have seldom or

The first iteration was in 2018 but you better know we’re bringing back this project in 2022 and beyond.

FEATURING ANTHONY OKS, SIERRA NOBLE, BBS STEVE, MARISOLLE NEGASH, THE O.B, ANDREW SANNIE AND GUESTS.

Wall-to-Wall Mural & Culture Festival started as a collective dream and mission to bring accessible art into peoples’ everyday lives.

Wall-to-Wall, which takes place on Treaty 1 Territory / in Winnipeg, Manitoba, happens annually each September. The community-focused festival highlights equal parts mural, music, and mentorship and culminates with a finale celebration, bringing together communities around art, music, dance, and more.

Wall-to-Wall Mural & Culture Festivals acknowledges that we benefit from living and working on the stolen, ancestral, and traditional territories of the Anishinaabeg, Ininiw (Cree), Anish-iniw (Oji-Cree), Dakota, and Dene Peoples, the homeland of the Métis Nation and that we are sustained by water sourced from Shoal Lake 40 First Nation.

Winnipeg Blue Bombers at Hamilton Tiger-Cats
2022-09-17 15:00 - 18:00 | Ivor Wynne Stadium, Hamilton, Canada
Winnipeg Blue Bombers at Hamilton Tiger-Cats
🏒🔥 Rumor has it that the 2022-23 NHL schedule is almost here. Add your team to your calendar to never miss a game: https://bit.ly/3yaTo83
Find out how to remove this schedule: stza.co/$delete?trk=NlcZ
👍 or 👎 this schedule? Review it: stza.co/$review?trk=NlcZ

Lavender Country
2022-09-17 20:00 - 22:30 | Times Change[d] High & Lonesome Club, 234 Main Street, Winnipeg, MB, R3C 1A8, Canada
Lavender Country at the West End Cultural Centre – Saturday, September 17, 2022 at 8:00pm

The West End Cultural Centre will continue to require that patrons wear facemasks and show proof of vaccination for all events in the venue. We will continue to evaluate this policy as circumstances evolve.
—–
While Lavender Country (1973) was little known outside the Pacific Northwest and only released one self-distributed album, they created a genuine cultural milestone; the first openly gay country album. Sponsored by the original Stonewall activists of the Gay Community Social Services of Seattle, Lavender Country’s self-titled release was the brainchild of Patrick Haggerty, whose experiences as a gay liberation activist during the Stonewall era shaped him into a tenacious political savant. Radically defying the conservative norms of country music, Haggerty turned to Seattle’s gay community for song topics that addressed a wide range of political and social concerns, including institutionalized oppression and divisions of the working class, as well as more personal subjects such as the complications of intimacy and sexual identity.
Despite the commitment of Haggerty and his bandmates to the cause, the original group eventually fizzled out in 1976 when the democratic party took control of the movement and sidelined the radicals. Over four decades later the indie label Paradise of Bachelors discovered the album, reissued it, and shot Lavender Country into the stratosphere. With a new rotating lineup of musicians, Haggerty began performing to a brand new generation of Lavender Country fans drawn to the band’s timeless message of queer liberation and revolution. Hundreds of opportunities emerged – gigs, cross country tours, collaborations, scores of interviews with Dazed, Pitchfork, Rolling Stone, and the likes.
In 2016, Dan Taberski’s film “These C*cksucking Tears” Premiered at SXSW accompanied by a string of performances by the band. In 2017 and again in 2019, Robert Dekkers’ Post:Ballet company staged a modern ballet performance of the original album, performed in San Francisco with Lavender Country accompanying live. In recent years, the band’s message has even resonated with contemporary queer country icons. Patrick has been invited to share the stage with the likes of Orville Peck and Trixie Mattel, who covered the Lavender Country song “Stranger” on her 2020 Grammy nominated album, “Barbara”. Hollywood director Robert Connolly wrote a screenplay for a full length film, and is currently shopping for production funding.
Haggerty, now approaching age 77, is stronger than ever. His shows are a unique combination of good country music, sharp Marxist political critique, and a huge lineup of incredible backup musicians across the country. Poignant emotions leave his audience laughing, dancing, and crying all at once. The current emergence of fascism and the deep political divisions in American culture are making Lavender Country a critical component of progressive and radical politics.
—–
This show is presented in partnership with Pride Winnipeg.

Laura Jane Grace
2022-09-17 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
MODO-LIVE x PROGRAMME Presents: Laura Jane Grace

MODO-LIVE x PROGRAMME Presents:Laura Jane Gracew/ special guests
Saturday, September 17thPark TheatreWinnipeg, MB
Doors: 7 pm
Show: 8 pmCurfew: 11:30 pm
All Ages
Bio:Laura Jane GraceAt War With The Silverfish“These are songs of late night madness and loneliness, orphan songs that came wandering in looking to feed like insects,” Laura Jane Grace says of her new EP.
Half recorded at Grace’s TinyQuietStudio in Chicago and half recorded at Electric Eel in St. Louis, and mixed by her Devouring Mothers bandmate Marc Hudson, At War With The Silverfish finds Grace in a range of stripped-back, poignant modes that amount to an honest and holistic account of our shared humanity. Unafraid to spotlight open wounds and tangled feelings, Grace conveys the distinctive pluck that has defined her work with Against Me! and The Devouring Mothers, but with the intimate energy of home recording with an acoustic guitar. The album is not a clarion call, but a tender invitation. It is a necessary capsule of a woman’s artistic pulse; love, longing and loneliness told in affecting turns of phrase.
“Three of hearts/Two of them are broken/One of them is gold/All of them are worthless,” she sings on opener “Three of Hearts,” admitting later that she’s the “…surest sucker that you’ll ever see.” This vulnerable posture drives much of that album, like on “Lolo 13,” where Grace pines for a love she never had, and on “Yesterday Pt. II,” where she remembers a lover’s goodbye with visceral intensity. “I know I sound insane,” she repeats three times on the latter, imparting anxiety and resolve at once. It’s a device she employs through the record, deftly illustrating the mental gymnastics on the roads to self doubt and self acceptance.
Amid the emotional outpouring are piercing scenes of isolated domestic life — the endless cups of reheated java (“Day Old Coffee”), the relief of reconnecting with an old friend (“Electro-Static Sweep”). And then there is her old friend, Chicago, a city by now her home but not without its pain points. “Way out here on the edge of oblivion/May as well be Skokie, you’d have been so lucky for Berwyn,” she sings on “Long Dark Night,” surveying the landscape of her new Northside home, not the “hip” part of town but one vital to its cultural diversity.
Reflecting on the album’s interiority, Grace acknowledges the universal nature of many of its themes — how her highly personal accounts bloom into broader human connection. “I’ve learned that if you share your experience with good intentions that the universe will always surprise you with abundant return,” she says. “Every song is an act of faith; you don’t necessarily know why you’re singing it other than you know you’ve got to sing it.”
Ticket Price:
ADV: $25.00

Set it Off
2022-09-18 19:30 - 22:30 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
See you in the pit

The Park Theatre & Ninjacat Productions Presents
Set It off
the “Welcome to Elsewhere Tour part 2”
w/
Oxymorrons, Rain City Drive and Concrete Castles
Doors 7 pm Show 730 pm

For information on The Park Theatre, please visit https://myparktheatre.com/faq/.
WHEN AND WHERE DO I PICK UP MY TICKETS?
On the night of the show, your tickets will be waiting at the ticket window anytime after door time. Please note that these are e-tickets, so if you have purchased multiple tickets, your entire party will need to be there at pick up. Please have your ID ready, and your ticket’s up on your phone.

Katie Tupper
2022-09-19 20:00 - 22:30 | West End Cultural Centre, 586 Ellice Ave, Winnipeg, MB, R3B1Z8, Canada
Katie Tupper at the West End Cultural Centre – Monday, September 19, 2022 at 8:00pm

The West End Cultural Centre will continue to require that patrons wear facemasks and show proof of vaccination for all events in the venue. We will continue to evaluate this policy as circumstances evolve.
—–
Beneath the painted hues and infinite prairie skies of Saskatoon — a city in the heart of Canada — lies a soulful, creative spirit that proves there’s much more to the so-called ‘fly-over states’ than grassland and grain silos. Katie Tupper, a 24-year old neo-soul musician, embodies that spirit and is determined to show there’s an entire world of boundary-pushing, genre-defying artists at work within the often overlooked region.
Katie Tupper unveiled her “fantastic” and “beautiful” debut single “Live Inside” with Zane Lowe, Apple Music’s global creative director and host in September 2021. On “Live Inside,” Tupper ruminates on notions of identity and what it means to let someone change your appearance, to surrender into your relationship and allow your partner to become a piece of who you look like everyday.
“How Can I Get Your Love?” Tupper’s second single, rising in the CBC Music Top 20 chart, currently at #7, deals in a blanketing mixture of Neo-soul and exquisite folk, seeming to speak for a region neglected all too often, displaying just how richly her music roots through the native meadows and grasslands (or as she refers to them here, “fields of butter”). It’s a song that at once speaks of all the possible partners we miss out on from sheer cluelessness, and ultimately centers around a single, great passion.
Then in January of 2022, Tupper released “Danny”, a song with swelling strings and twinkling keys exquisitely backing up an instantly catchy, syrupy drumline. Her voice soars over the track, telling a story of heartbreak and resentment, digging into that feeling of having so little left to lose that there’s hardly anything worth salvaging.
All songs are featured on her debut EP, Towards The End, coming out in February 2022 on Arts & Crafts.

Joel Plaskett with Mo Kenney
2022-09-19 20:00 - 23:00 | MB
Joel Plaskett with Mo Kenny

In a world increasingly defined by disconnection under the guise of digital bonding, Joel Plaskett is an analogue holdout, making his most solid connections the old-fashioned way, through the electrifying, uplifting experience of his live shows. That doesn’t mean that heading out to get sweaty with a few hundred fellow good-timin’ strangers at your town’s most storied music venue is the only way to experience Plaskett’s tunes—the warmth and care with which he works shines through on his albums, self-produced and recorded to tape at his New Scotland Yard studio in downtown Dartmouth, whether you’re experiencing them on vinyl in your dim-lit living room or through headphones via MP3. But there’s no better spot than under the bright lights of the stage to catch one of Nova Scotia’s favourite sons, shredding in reverie alongside his band, The Emergency, harmonizing with his dad, Bill or spinning tales and songs on his own.

You can’t make a reputation for yourself as a world-class entertainer without hitting the road, and there are few musicians who have tramped the globe like Plaskett has. That journey started in the early ‘90s with the playful and explosive Thrush Hermit and their signature neon ROCK & ROLL sign and hasn’t stopped (in fact, the Hermit’s bright red light is soon to be lit up again with a cross-Canada reunion tour kicking off fall 2019). For over a quarter century, Plaskett has delivered the masses intimate, scrappy singer-songwriter fare (In Need of Medical Attention, La De Da) incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully) conceptual, operatic epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness) and a collection of left-leaning folk partly inspired by the genre’s British masters with his father (Solidarity). The last album he released under his own name, 2015’s The Park Avenue Sobriety Test, showed him at the top of his game, using all the sounds in a wildly diverse musical toolbox. Rest assured that what’s coming next will be unexpected, a new evolution for an artist who’s never stopped shifting and exploring his medium.

Joel’s musical contributions go far beyond his own music, too. Besides producing most of his own records since 1999, he’s also set up shop behind the console at The New Scotland Yard studio, along with engineer Thomas Stajcer, to help craft a number of critically-acclaimed records for others. Working with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Shotgun Jimmie, Dennis Ellsworth, Sarah Slean, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production and turned the studio into a popular destination for artists looking to make their mark. Out front, just a stone’s throw from the studio, lies The New Scotland Yard Emporium, where Plaskett partnered with Halifax mainstay Taz Records to bring a great selection records to his adopted hometown of Dartmouth, helping shape the future of Portland Street by building a spot music fans can hang out and grab a coffee or beer while they dig for records.

Setting his impressive catalogue aside, Plaskett’s legacy is in those communal experiences, the ones that have fans old and new belting out his songs for a couple hours before they stumble wide-eyed onto the sidewalk outside the club, buzzing with the life-affirming electricity that gets generated between the stage and the audience.

—

ABOUT MO KENNEY
Mo Kenney never had that archetypal I-want-to-be-famous moment. But somehow she was always going to make albums, play live and get noticed in her native Canada and way beyond.

Maybe the clues were there in the way she saved up her lunch money to buy records, begged her parents to book guitar lessons for her and made demos in the modest recording facility at a school she wasn’t even attending. Now, Kenney’s brilliantly accomplished ‘In My Dreams,’ one of Canada’s most acclaimed records of 2014, is about to become one of the freshest and most inventive releases on the international stage this autumn.

And stage is the word, because the artist, born in Halifax, Nova Scotia, views staying on the road and playing for as many people as possible as her life’s work. The reward is in the recognition she’s enjoying from her discerning album audience.

‘In My Dreams’ is already an award-winning follow-up to Kenney’s much-decorated, self-titled debut of 2012. The new set swiftly secured an ECMA (East Coast Music Award) for Pop Recording of the Year, to sit alongside the same trophy that was bestowed upon its predecessor, which also took a Canadian Folk Music Award for New/Emerging Artist of the Year and no fewer than three Nova Scotia Music Awards.

The sophomore set is produced, as was Mo’s previous album, by Joel Plaskett, the Canadian rock icon who can fairly be described as her great mentor and key creative collaborator. It was recorded in his bespoke studio, New Scotland Yard, in Dartmouth, Nova Scotia, and for his label, New Scotland Records. We’ll return to the story of Plaskett’s role in Kenney’s career shortly.

In an undeniable progression from the sometimes acoustic folk-pop of the first record, the rockier framework of the new one reflects the fact that Mo is working more often with a band, in the studio as on stage. It’s also a perfect showcase for her incisive lyricism. “That’s something that’s changed a lot from when I started writing, when I guess there was a lot more covering up of the truth,” she says. “I’m more direct now, and I like it that way.”

“When I’m writing, I’m not thinking about people that are going to be listening to it, which is helpful, so I don’t have to worry about what I’m saying, I just go and record it.” Indeed, to borrow a phrase, friends probably think this song or that song is about them. “Oh, so many people say that to me,” she laughs. “If it is, I tell them.”

The album’s flagship song ‘Telephones’ arrives with a suitably engaging and amusing video and provides an imaginative take on the traditional romantic predicament. It was first written and recorded by Canadian East Coast rock band Mardeen in 2008, and suggested by Plaskett as potentially rich material for Kenney. “I don’t think very many people knew of it,” she says. “But it was kind of a perfect fit.”

Mo is now reaping the rewards of the musical inquisitiveness that started at an early age. She’ll happily admit to the poptastic pre-teen period we all go through, when she momentarily favoured Danish hitmakers Aqua. There was even a stage when she was at home to hard rock, in the form of AC/DC and Ozzy Osbourne.

But then Kenney realised that instead of just listening to the guitar, she should be playing it. Unlike many artists who were dragged kicking and screaming to their first instrument, she begged her parents to arrange guitar lessons for her. “I’m not sure why I wanted to play guitar so badly,” she says. “I don’t even remember asking my mum to put me in lessons, I was that young.”

“My uncle had a guitar. He was the only person in my family that I knew of that had a musical instrument. I remember it would just be kicking around at family gatherings, so I’d fiddle around on it. So maybe that’s why. But I was so obsessed with playing guitar when I first started, I kind of assumed I’d be doing something with it later on in life. But I wasn’t sure what it would be.”

As her listening tastes developed alongside her own playing, Mo began to empathise with one much-admired composer in particular. I didn’t really have a guitar idol when I was growing up,” she says. “I only started listening to Elliott Smith when I was 14. That was the first kind of confessional songwriting I’d really heard. I was obsessed with him. I still am.”

When she started to experiment with her music, fate took a hand. “There were a few bands recording at this school in downtown Halifax,” she recalls. “I didn’t go there, but I knew some people who did. They had a little makeshift studio where everybody could just go in and make demos, and Joel came to talk to us one day about the music industry, trying to give us advice on being a musician.”

“So we played him one of our songs each and that was it, he went away. I think that was about 2007, I showed him my song, he really liked it and then I didn’t hear from him. In 2010, I got a call from his manager, who’s now my manager, inviting me to a songwriting camp.”

“Joel had recommended me, and I hadn’t talked to him in three years. Actually, it was my birthday. I was heading to work to go and make pizzas and I got a call. It made my day. I’d just been playing open-mic, and that wasn’t really doing anything for me except helping me with my live show. I don’t know how I would have managed if it hadn’t been for Joel.”

When Plaskett went on to sign Kenney to his label, she had the platform from which to create that debut album, and to find out about the music business. “It was a huge learning curve,” she admits. “I had an idea in my mind what it was going to be like, and it was totally different. I was just really fascinated by how everything works.”

As well as having toured in Canada with Plaskett, Ron Sexsmith and extensively in her own right, Mo is already no stranger to international audiences. She has played Iceland Airwaves, The Great Escape and Green Man Festival in the UK, where early in 2014, she toured for six weeks with her good friend, Scottish artist, Rachel Sermanni. Kenney is heading back to Britain, Ireland, and Germany in support of ‘In My Dreams.’ The stage is literally set for her.

“Besides writing, the aspect of being a musician that I like most is playing live,” says Kenney. “I love touring, so if I can build up audiences all over the place, then I can stay on the road forever, which is what I want.”

OM with guests Zombi
2022-09-20 19:30 - 22:30 | Pyramid Cabaret, 176 Fort Street, Winnipeg, MB, R3C1C9, Canada
OM with Zombi at the Pyramid

Ninjacat Productions presents
Tuesday September 20 2022
at The Pyramid Cabaret – 176 Fort Street
OM
with guests ZOMBI

Doors 7pm – Music 730pm
Tickets on sale June 3 at 10am on www.eventbrite.com

An evening with Joel Plaskett
2022-09-20 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Joel Plaskett

In a world increasingly defined by disconnection under the guise of digital bonding, Joel Plaskett is an analogue holdout, making his most solid connections the old-fashioned way, through the electrifying, uplifting experience of his live shows. That doesn’t mean that heading out to get sweaty with a few hundred fellow good-timin’ strangers at your town’s most storied music venue is the only way to experience Plaskett’s tunes—the warmth and care with which he works shines through on his albums, self-produced and recorded to tape at his New Scotland Yard studio in downtown Dartmouth, whether you’re experiencing them on vinyl in your dim-lit living room or through headphones via MP3. But there’s no better spot than under the bright lights of the stage to catch one of Nova Scotia’s favourite sons, shredding in reverie alongside his band, The Emergency, harmonizing with his dad, Bill or spinning tales and songs on his own.

You can’t make a reputation for yourself as a world-class entertainer without hitting the road, and there are few musicians who have tramped the globe like Plaskett has. That journey started in the early ‘90s with the playful and explosive Thrush Hermit and their signature neon ROCK & ROLL sign and hasn’t stopped (in fact, the Hermit’s bright red light is soon to be lit up again with a cross-Canada reunion tour kicking off fall 2019). For over a quarter century, Plaskett has delivered the masses intimate, scrappy singer-songwriter fare (In Need of Medical Attention, La De Da) incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully) conceptual, operatic epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness) and a collection of left-leaning folk partly inspired by the genre’s British masters with his father (Solidarity). The last album he released under his own name, 2015’s The Park Avenue Sobriety Test, showed him at the top of his game, using all the sounds in a wildly diverse musical toolbox. Rest assured that what’s coming next will be unexpected, a new evolution for an artist who’s never stopped shifting and exploring his medium.

Joel’s musical contributions go far beyond his own music, too. Besides producing most of his own records since 1999, he’s also set up shop behind the console at The New Scotland Yard studio, along with engineer Thomas Stajcer, to help craft a number of critically-acclaimed records for others. Working with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Shotgun Jimmie, Dennis Ellsworth, Sarah Slean, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production and turned the studio into a popular destination for artists looking to make their mark. Out front, just a stone’s throw from the studio, lies The New Scotland Yard Emporium, where Plaskett partnered with Halifax mainstay Taz Records to bring a great selection records to his adopted hometown of Dartmouth, helping shape the future of Portland Street by building a spot music fans can hang out and grab a coffee or beer while they dig for records.

Setting his impressive catalogue aside, Plaskett’s legacy is in those communal experiences, the ones that have fans old and new belting out his songs for a couple hours before they stumble wide-eyed onto the sidewalk outside the club, buzzing with the life-affirming electricity that gets generated between the stage and the audience.

Imperial Triumphant
2022-09-21 19:30 - 23:30 | Good Will Social Club, 625 Portage, Winnipeg, MB, R3B 2G4, Canada
Imperial Triumphant

Ninjacat Productions presents
Wednesday September 21 2022 at the Good Will Social Club
IMPERIAL TRIUMPHANT
and guests
MURDER CAPITAL
Tickets on sale now at www.eventbrite.com
Doors 7pm – Music 730pm

The Park Theatre Presents MONOWHALES
2022-09-21 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
The Park Theatre Presents

MONOWHALES
Sept 21st, 2022
Doors 7 pm Show 8 pm
ALL AGES

MONOWHALES is a Juno Award-winning, three-piece, alt-rock band from Toronto, Ontario, Canada. They are the first and only independent, self-managed band to have a single reach #2 on the Canadian Alternative Rock Chart

__

For information on The Park Theatre, please visit https://myparktheatre.com/faq/.

WHEN AND WHERE DO I PICK UP MY TICKETS?

On the night of the show, your tickets will be waiting at the ticket window anytime after door time. Please note that these are e-tickets, so if you have purchased multiple tickets, your entire party will need to be there at pick up. Please have your ID ready, and your ticket’s up on your phone.

Zachary Lucky
2022-09-22 20:30 - 22:30 | Times Change(d) High & Lonesome Club, 234 Main St., Winnipeg, MB, R3C1A8, Canada
Zachary Lucky Is unapologetically old-school country, bringing his fifth album “Songs For Hard Times” with him on his latest national tour.

Daniel Champagne
2022-09-23 20:00 - 23:00 | West End Cultural Centre, 586 Ellice Ave, Winnipeg, MB, R3B1Z8, Canada
Daniel Champagne at the West End Cultural Centre – Friday, September 23, 2022 at 8:00pm

The West End Cultural Centre will continue to require that patrons wear facemasks and show proof of vaccination for all events in the venue. We will continue to evaluate this policy as circumstances evolve.
—–
The young Australian virtuoso recently described as ‘the finest guitar player of this generation’ brings his tour back to Canada for the first time in three years!
One reviewer recently wrote “Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne is just magical”
The story goes that the young singer-songwriter and one of a kind guitar virtuoso first picked up his instrument of choice as a 5-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing wherever he could, honing his craft and developing the dynamite live show that he is renowned for to-day. At 18 he left school, turned professional and hit the road without looking back.
The following decade has seen him release 5 studio albums, tour relentlessly around the globe with upwards of 300 shows per year, play some of the biggest festivals under the sun and share stages with the likes of Tommy Emmanuel, INXS, John Butler, Lucinda Williams, Ani DiFranco, Judy Collins and Rodrigo y Gabriela.
Daniel is now regarded as a leading light in acoustic music, with a firm reputation for dropping jaws, making crowds buzz and breaking guitars wherever he goes!

Simon Davis Band plus The Jakebrakes
2022-09-23 20:30 - 2022-09-24 00:30 | Times Change(d) High & Lonesome Club, 234 Main St., Winnipeg, MB, R3C1A8, Canada
It’s the truck-stop rock and twang of The Simon Davis Band plus the dangerous curves and diesel smokin’ guitar stylings of The Jakebrakes!

It’s the truck-stop rock and twang of The Simon Davis Band plus the dangerous curves and diesel smokin’ guitar stylings of The Jakebrakes! Friday Sept 23 at the Times Change(d) High & Lonesome Club. Doors 7:30, Show 8:30.
Photo by Cary Bilcowski.

Kenmode - Vile Creatures - Mares of Thrace
2022-09-23 21:00 - 2022-09-24 00:30 | Good Will Social Club, 625 Portage, Winnipeg, MB, R3B 2G4, Canada
Kenmode at the Good Will

Ninjacat Productions presents
Friday September 23 2022 at the Good Will Social Club
KENMODE
with guests
VILE CREATURE
MARES OF THRACE

Tickets available at www.eventbrite.com

Elton John and Ed Sheeran is the ultimate UK tribute
2022-09-24 20:00 - 22:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Elton John and Ed Sheeran is the ultimate UK tribute – an evening of acoustic brilliance!

Saturday, September 24th, 2022
Doors 7 pm | Show 8 pm

Jeff Scott, based out of Richmond Hill, Ontario, has been performing the music of Elton John for over 20 years. His stage show features an array of dazzling outfits, superb and skillful piano playing, and, of course, the distinctive and powerful vocals we have come to know and love!
Daniel East is a powerful British performer. East performs all of Sheeran’s top hits, such as “Castle on the Hill”, “Shape of You”, “Perfect”, “Photograph”, “Thinking Out Loud”, “I Don’t Care”, and more! You’ll be immersed in all things Ed Sheeran, with a surprise twist that will leave you wanting more!
Tickets: Adult $44, Student/Senior $37 (+applicable taxes & fees)

Pierre Bensusan
2022-09-24 20:00 - 23:00 | West End Cultural Centre, 586 Ellice Ave, Winnipeg, MB, R3B1Z8, Canada
Saturday, September 24, 2022 – Pierre Bensusan at the West End Cultural Centre – 8pm

The West End Cultural Centre will continue to require that patrons wear facemasks and show proof of vaccination for all events in the venue. We will continue to evaluate this policy as circumstances evolve.
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After releasing ‘Azwan’, an album about our oneness and interconnectivity in the midst of a unifying global crisis, French-Algerian guitarist, vocalist and composer, Pierre Bensusan, returns to the USA & Canada for completing the second leg of his nationwide 2022 Tour
When Michael Hedges titiles one of his compositions “Bensusan”, you know the inspiration behind must be special and Pierre Bensusan certainly is. Guitarists from Leo Kottke to Larry Corryel, to Tuck Andres, Tommy Emmanuel, Mark Knopfler, Andrew York, Andy Timmons, to Steve Lukather… have sung his praises, and Steve Vai released three Bensusan albums on his label Favored Nations. And it’s not just guitarists who are so inspired by Pierre’s music, as a recent studio collaboration on Donny Osmond’s latest album “Start Again” goes to show.
If World Music means the fusion of traditional, contemporary, jazz, classical and pop music, then Bensusan is one of the most eloquent World Music musicians of our time. Pianist in his beginnings then self-taught on the guitar, the originality of his style makes him one of today’s greatest guitarist and composer for the instrument. Also called “The Prince of DADGAD”, his story is far from trivial and it is on stage that the artist has earned his stripes! Among others, the Rose d’Or of the Montreux Festival, elected Best Guitarist of World Music by the readers of Guitar Player Magazine. His triple album “Encore” won the Grand Prix of the Independent Music Awards in the category Best Live Album… Since his first performances in 1974 in France, the guitarist has sold half a million albums and given thousands of concerts around the globe, both solo and through numerous collaborations.
Born in French Algeria, Pierre Bensusan an adventurer of unusual lands. His almost “sacred” music is an intimate and orchestral hymn, a solo crossing on a multi-shell Lowden guitar subjected to the natural elements: sound molecules and finger pulp on an ebony fingerboard for open tuning, an unique and transparent technique, under the fingers of an adventurous pilgrim. Big emotion guaranteed!

Sean Burns and Lost Country plus Carter Felker
2022-09-24 21:30 - 2022-09-25 00:30 | Times Change(d) High & Lonesome Club, 234 Main St., Winnipeg, MB, R3C1A8, Canada
An outstanding evening of country and western music sure to satisfy the entertainment expectations and dancing fever of young and old!

Master of Illusion SEAN WATSON featuring Chanelle Munroe
2022-09-25 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
One Night Only

Sunday, September 25th

the Master of illusion Sean Watson w/ Chanelle Munroe

Doors 7 pm Show 8 pm

Fully Seated Event

Neema Naz Stand Up Comedy Show
2022-09-26 19:30 - 22:30 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Neema Naz: I’m Your Sugar Daddy stand-up comedy tour is coming to Winnipeg Monday September 26th @730PM at the iconic Park Theatre

Supported by the very talented and hilarious Marc Anthony Sinagoga and Andrew Packer!

This event has rushed seating – there are no seat assignments. Please arrive on time!

Doors 630PM

Show 730PM

Whitehorse
2022-09-27 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Winnipeg Folk Festival Presents

Since their debut, Whitehorse has travelled from a magnetic folk duo to a full-blown rock band and beyond. In truth, Whitehorse is never fully either one or the other but an ever-evolving creative partnership that challenges both artists, Melissa McClelland and Luke Doucet, to explore new instrumental and lyrical terrain with each record. Steamy, swampy and squalling in equal measure, Whitehorse’s signature sound is guitar-heavy, harmony-abundant and lyrically deft

Tuesday, Sept 27th
Doors 7 pm Show 8 pm

The Paper Kites
2022-09-28 20:00 - 23:00 | The Park Theatre, 698 Osborne Street, Winnipeg, MB, R3L 2B9, Canada
Winnipeg Folk Festival Presents

Paper Kites
w/ Rosie Carney
Sept 28th – 8 pm
All Ages
Standing Event

Dan Frechette and The Dylanaires
2022-09-28 20:30 - 23:00 | Times Change(d) High & Lonesome Club, 234 Main St., Winnipeg, MB, R3C1A8, Canada
Led by Dan Frechette, this folk/rock quintet will not disappoint!
